{"id":107717,"date":"2024-09-30T11:57:01","date_gmt":"2024-09-30T09:57:01","guid":{"rendered":"https:\/\/kosovotwopointzero.com\/ndjenjat-tona-jane-te-natyrshme-por-jane-edhe-te-ndryshueshme\/"},"modified":"2024-10-22T10:55:05","modified_gmt":"2024-10-22T08:55:05","slug":"our-emotions-are-natural-but-theyre-also-flexible","status":"publish","type":"post","link":"https:\/\/archive.kosovotwopointzero.com\/en\/our-emotions-are-natural-but-theyre-also-flexible\/","title":{"rendered":"\u2018Our emotions are natural, but they&#8217;re also flexible\u2019"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"107717\" class=\"elementor elementor-107717 elementor-106953\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f85dad0 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"f85dad0\" 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lang=\"sr\">B\/C\/S<\/span><\/a>\n\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\t<\/ul>\n\n\t\t<\/li>\n\n\t<\/ul>\n<\/div>\n<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-897ff3d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"897ff3d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ee32205\" data-id=\"ee32205\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-35e47e9 elementor-widget elementor-widget-heading\" data-id=\"35e47e9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">\u2018Our emotions are natural, but they're also flexible\u2019\n<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0f0443b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0f0443b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cf16cb3\" data-id=\"cf16cb3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9716e2a elementor-widget elementor-widget-heading\" data-id=\"9716e2a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">What is film\u2019s role in building collective memory?\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-820489a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"820489a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c34142b\" data-id=\"c34142b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-819bb38 elementor-widget elementor-widget-heading\" data-id=\"819bb38\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">By Catriona O\u2019Sullivan  | 30 september 2024<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-60786c8 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"60786c8\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-79e792f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"79e792f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-93dd26c\" data-id=\"93dd26c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2001358 elementor-widget elementor-widget-text-editor\" data-id=\"2001358\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Awareness of the past carries on even for generations born after the 1998-99 war in Kosovo.&nbsp; Kosovars too young to have their own memories of the war still have conceptions of what happened, which have been formed by an array of societal, familial and personal dynamics. But how? Does film shape or affirm historical narratives and consciousness? Do the images and messages from these films influence how young Kosovars see and understand the war and the country\u2019s recent history?<\/span><\/p>\n<p><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/13642529.2022.2042649\" target=\"_blank\"><span style=\"font-weight: 400;\">Research<\/span><\/a><span style=\"font-weight: 400;\"> such as historian Jukka Kortti\u2019s article \u201cWar, transgenerational memory and documentary film: mediated and institutional memory in historical culture\u201d shows that film has the <\/span><a href=\"https:\/\/oro.open.ac.uk\/62352\/\" target=\"_blank\"><span style=\"font-weight: 400;\">power<\/span><\/a><span style=\"font-weight: 400;\"> to memorialize war and shape collective memory. Whether through <\/span><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17503280.2021.1877388?casa_token=1J9c-d9D-XMAAAAA%3AI8_niQDSo3jBWyTYiGOk8DLjsTNlrA62I7mhoYxSpgw95pMnorF5ajPiiu59UZ4VfVVuidzuhxs\" target=\"_blank\"><span style=\"font-weight: 400;\">documentaries<\/span><\/a><span style=\"font-weight: 400;\"> or <\/span><a href=\"https:\/\/journals.publishing.umich.edu\/gs\/article\/id\/855\/\" target=\"_blank\"><span style=\"font-weight: 400;\">fictional<\/span><\/a><span style=\"font-weight: 400;\"> films, narratives and images impact how history is understood.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Kosovo, film has engaged with the war in numerous ways, cementing some narratives and challenging others. There has been a recent <\/span><a href=\"https:\/\/kosovotwopointzero.com\/en\/kosovos-new-generation-of-filmmakers-have-their-say\/\" target=\"_blank\"><span style=\"font-weight: 400;\">flurry<\/span><\/a><span style=\"font-weight: 400;\"> of work by Kosovar filmmakers, <\/span><a href=\"https:\/\/dokufest.com\/en\/news\/kosovos-new-wave-world-premiere\" target=\"_blank\"><span style=\"font-weight: 400;\">hailed<\/span><\/a><span style=\"font-weight: 400;\"> as a \u201cnew wave\u201d of Kosovar film by Dokufest film festival. Some of these films deal directly with the war, or, more often, with how society has been shaped, impacted by or is still processing the past. These have tended to be less Hollywood blockbuster and more arthouse cinema, smaller-scale films, which have then been propelled into the international arena.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the last decade, films from Kosovo have been nominated for awards at Cannes, shortlisted for Academy Awards and won awards at the British Academy Film Awards (BAFTA), Sundance Film Festival and Rotterdam film festival, to name a few. They cover topics such as struggling widows, clashes between generations in intergenerational households, young people forming a gang to escape the realities of their life in a small town, teenagers reshaping their identities and people leaving for university amid political turmoil.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">K2.0 asked five young Kosovars about how these recent films, and film more broadly, shape young people\u2019s memory of the war. Their answers, given in both live conversations and over email, show a range of perspectives and insights.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some of the people K2.0 interviewed, like 27-year-old Shpat Ejupi, who is originally from Ferizaj, now live abroad. Others, like Diona Kursari, a 26-year-old from Gjakova, and 26-year-old Ismail Myrseli, who is from Prizren, work in Kosovo\u2019s film and culture scene. Myrseli and his family spent the war in Sarajevo, Bosnia and Herzegovina before returning to Kosovo in 2001. Finally, some, like An<\/span><span style=\"font-weight: 400;\">\u0111<\/span><span style=\"font-weight: 400;\">ela Mirkovi\u0107, a 19-year-old art student from Gra\u010danica and 23-year-old Arber Ramadani from Likoc, Skenderaj, who recently interned at the European Parliament, were born entirely after the war.&nbsp;&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The discussions with these five touched on topics ranging from how film can shape memory culture, new films being made in Kosovo and the impact of growing up surrounded by films from the U.S..&nbsp;<\/span><\/p>\n<p><b>K2.0: How do you remember the war?<\/b><\/p>\n<p><b>Diona Kusari: <\/b><span style=\"font-weight: 400;\">I was born in \u201897. What I know about the war is what my mother told me, my memories are secondhand. I don&#8217;t have any memory. I didn&#8217;t have any of these experiences. If I&#8217;m honest, I think, until I became 18, what happened during the war for me was completely irrelevant. My knowledge of this, or my understanding of why this is important, or what really happened, and how can I put the pieces together, came after I started my academic studies, after I moved to Prishtina, as well as meeting different types of actors, political or civil society in the Kosovo scene. And only then I think I could have some context, in a way, into confronting, asking my family members, what my personal history is.<\/span><\/p>\n<p><b>Ismail Myrseli: <\/b><span style=\"font-weight: 400;\">I knew they bombed us, they killed us, but they were not part of our daily life\u2026. It wasn\u2019t so predominant in my childhood. I<\/span><span style=\"font-weight: 400;\"> was interested in football, video games like Runescape and Fifa, maybe a child crush.<\/span><\/p>\n<p><b>Andjela Mirkovi\u0107:<\/b><span style=\"font-weight: 400;\"> I was born in 2005, so I don&#8217;t have direct personal memories of the war. Therefore, I remember war exclusively from the news, and all other media I consume along with the stories of my family and friends. From what I gathered, it seems a time when everything was uncertain and scary, and though I did not live through it, I\u2019d say the impact of it is still very much felt today. It shapes how we see the world. For me, it\u2019s more than just historical facts, it\u2019s about the personal stories and the lingering effects on our communities. It serves as a reminder of the value of peace and the importance of cherishing it, if ever present.&nbsp;<\/span><\/p>\n<p><b>Shpat Ejupi: <\/b><span style=\"font-weight: 400;\">Truth be told, I even have trouble talking to my mother [about the war] because she has those traumas, and language just doesn&#8217;t do it. Some borders have been created. I don&#8217;t know why because I was very little.&nbsp;<\/span><\/p>\n<p><b>What do you think about films made about Kosovo and the war? How do these change or shape your idea of Kosovo and the war, if at all? Are there examples of when you felt that you understood something in the history of Kosovo or your own family when you were watching a film, or saw things differently?&nbsp;<\/b><\/p>\n<p><b>Arber Ramadani:<\/b><span style=\"font-weight: 400;\"> [In the film \u201cThe Hero\u201d (2014)], Arben Bajraktaraj plays a hero who actually was a warrior and who saved his co-villagers. But after the war, he can&#8217;t find a job to support his family, his children. His child is sick. You have people who climbed the ranks, who never fought a day in their lives. And a hero, he&#8217;s left without electricity, unable to care for his family. [It shows] the people who really fought, [that they] didn&#8217;t get the recognition that they deserved. The hero is the hero because he wasn&#8217;t corrupted. He stayed loyal to his ideals. I know a lot of people who really fought, and who lost family members, who lost their friends. And they didn&#8217;t get rich. Then you have some people who really managed to become wealthy after the war.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You can find yourself, not myself, because I was born after the war, but your family stories, in most of them. In \u201cShok,\u201d a Serbian soldier kills a young boy. Something similar happened in my village. Or maybe people who flee their home. This is something that happened to my family. Or in the movies \u201cFather\u201d and \u201cThe Hero,\u201d there is the relationship of father and child. Because of the bad socioeconomic situation in Kosovo, my father had to move to Slovenia. So maybe that&#8217;s why I also like these two movies. I mean, they don&#8217;t portray anything in detail that is similar to my family, of course. And at the same time, maybe, there are a lot of things that you can find similar to your families.<\/span><\/p>\n<p><b>Kusari:<\/b><span style=\"font-weight: 400;\"> There is this impression that how we present ourselves in visual language in film has to do very much with how Kosovo\u2019s narrative is the war. That&#8217;s our identity, in a way. That&#8217;s what our identity is built upon.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The films showcase, in a way, effects of the trauma of the war. They also have this bleak, dire energy: we are here in this deep hole, because we suffered a lot and there is no real spice of life at the end of the tunnel.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These films don&#8217;t really provide anything. They just provide this overhaul, this reappearance of our war traumas without any real ability to process and move forward. And it makes sense. Because I think we are there. A lot of people have been directly and indirectly affected in a way that has never really been recognized or validated, let alone received help, so maybe it is to say that these films are an accurate representation of how we are still tied to our past and how our present is moving along. It\u2019s just us moving with our past.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I am not aware of any films that provide space for imagination, empowerment and alternative realities. I think everything is just serving an affirmative function. This is what happened during the war. People are still plagued by anxiety and fear. I&#8217;m usually wary of critiquing that, because I understand maybe we are in a moment in time in which art needed to let that play out. Before we make something that has to deal with the future and the statehood of Kosovo, or the individuality of people, unperturbed by political conflicts and dogma.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It feels like most of the films have an affirmative function. It&#8217;s not like they deliberately provide a space for healing or empowerment, or an ability to imagine a different future. Movies can be used to twist and portray a history and install a narrative in people&#8217;s heads, that it&#8217;s completely one-sided. And based on judgment, and it&#8217;s trying to demonize and dehumanize a certain group of people<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I&#8217;m not using it to say, this is how things are, we will never be leaving this state of being stuck and burdened by our emotions. I&#8217;m trying to say our emotions are natural, but they&#8217;re also flexible. They can be remolded. We can understand that we will not be held hostage by them for the rest of our lives. I don&#8217;t want to only speak about trauma for the rest of my life. But \u201cThe Hill Where Lionesses Roar\u201d [which tells the story of teenage girls in Kosovo who form a gang to pass the time before they leave their small town to go to university] does not directly talk about war. It can be kind of refreshing to have this as a lesson.&nbsp;<\/span><\/p>\n<p><b>Mirkovi\u0107: <\/b><span style=\"font-weight: 400;\">Films about Kosovo and the war are important because they help share our story and keep our history alive. It\u2019s vital that they do so accurately and respectfully, although it\u2019s very rare that they do so, unfortunately.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They have broadened my understanding by presenting diverse perspectives and providing powerful emotional context, but they also sometimes include propaganda that can distort the truth. They\u2019ve shaped my view of the conflict and highlighted the complexities, though I remain cautious of the biases they may carry. They have shifted my perspective somewhat, but I\u2019m not sure if they\u2019ve changed my mental images entirely. They\u2019ve offered new insights, but it\u2019s hard to judge their full impact. Watching those films did give me a sense of understanding, but often I found them to be untruthful or one-sided. They sometimes highlighted certain aspects of history or family experiences while downplaying others, which made it challenging to get a clear, accurate picture.&nbsp;<\/span><\/p>\n<p><b>Ejupi: <\/b><span style=\"font-weight: 400;\">Those movies, people get educated through them. I think movies are better so as not to just leave the new or young generations to be bombarded by: \u201chow was the war?\u201d and whose fault it is, or if you should die for your country. If you feed people war narratives, and don&#8217;t feed them also literature and movies and knowledge\u2026&nbsp;<\/span><\/p>\n<p><b>Kusari:<\/b> <span style=\"font-weight: 400;\">There&#8217;s always room to question and be critical. Like when you say, \u201chow do you get the images in your mind?\u201d I think about this a lot. There were a lot of American films when I was a kid, and I feel like those images are still in my head. So it matters a lot to think about not just what am I seeing, but what message are they trying to instill in me?<\/span><\/p>\n<p><b>Myrseli: <\/b><span style=\"font-weight: 400;\">We never had art education in primary school. All of the cultural artsy things I had in my life are from the British Council, Creative Europe, the U.S.. I remember when I was a kid staying in American Corner in Prizren. I went there because I wanted to read \u201cBatman Begins&#8221; comics, and I never had any possibility to find them. And then I was reading in English because of this, and I knew another language. Of course, it also has its advantages and stuff like that, but at the same time, it has brainwashed society into thinking that there is no other option. You know, the other option is ourselves.&nbsp;<\/span><\/p>\n<p><b>How do you think young people in Kosovo and the diaspora think about Kosovo and the war?&nbsp;<\/b><\/p>\n<p><b>Ramadani: <\/b><span style=\"font-weight: 400;\">It&#8217;s different when you hear about a traumatic event and when you actually experience it. For a lot of people I know, they don&#8217;t like, for example, action movies, where there are gunshots. Because they have seen it, they have experienced it. People who were born in the West\u2026 they were taught about the war in Kosovo, they experience it through the stories, through the stories we can make sense of reality.<\/span><\/p>\n<p><b>Kusari:<\/b><span style=\"font-weight: 400;\"> I think our generation is not necessarily apologist, not people who try to put our pasts under the rug. Of course, if you meet a Serbian person, probably people from my generation are willing to have verbal arguments. It\u2019s not the nicest thing, but at the same time, we feel: \u201cah, let&#8217;s get this over with, let&#8217;s think about the future because we have multiple trauma experiences.\u201d I can also understand why the younger generation is slowly starting to lose interest in what happened during the war, because they just get these stories from other people. It does not really belong to them anymore.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s like a relationship where you never really discuss with your partner what you want and then that person leaves, and you never really have any closure. It&#8217;s some type of gaslighting. So you&#8217;re left wondering and you&#8217;re left obsessing, you&#8217;re reliving your past. But if the person doesn&#8217;t want to talk to you, how are you going to make sense of what&#8217;s happened?<\/span><\/p>\n<p><b>Mirkovi\u0107: <\/b><span style=\"font-weight: 400;\">Young people like me see Kosovo and the war in different ways. We\u2019re influenced by family stories and our own experiences. Some of us focus on moving forward and rebuilding, while others still grapple with the pain and complexity of our past.<\/span><\/p>\n<p><b>Ejupi:<\/b><span style=\"font-weight: 400;\"> Whatever we have been told, at least my generation, it&#8217;s obvious that, if you take it as a tree, one big part of the branches was false.&nbsp;<\/span><\/p>\n<p><b>Have you seen some of the newer films coming out of Kosovo? What do you think?<\/b><\/p>\n<p><b>Ejupi:<\/b><span style=\"font-weight: 400;\"> I just have gratitude and respect for people who are doing this. It&#8217;s just amazing. You know, I&#8217;m living here in Ljubljana, where you might say people have better conditions to make movies, but they don&#8217;t, while in Prishtina, it seems that some people just out of their sheer will to heal themselves, or just by bringing themselves to the world, bring these great movies that can express very, very deep consciousness not only of one person, but of a whole nation. Through that, people can heal and also escape the whole narrative of \u201cno you cannot do this, you cannot do that.\u201d&nbsp;<\/span><\/p>\n<p><b>Myrseli: <\/b><span style=\"font-weight: 400;\">I think we are finally sort of, and this is a bit of an unpopular opinion, we finally broke free from this idea of: they came, we fight, we suffer.<\/span><\/p>\n<p><b>Mirkovi\u0107: <\/b><span style=\"font-weight: 400;\">I haven\u2019t seen many of the newer films from Kosovo because I\u2019m skeptical about their accuracy. I often feel they don\u2019t fully represent the truth, and can be biased, so I prefer to rely on other sources for understanding our history.<\/span><\/p>\n<p><b>Kusari:<\/b> <span style=\"font-weight: 400;\">I think those [newer] movies are being seen by the general public. There&#8217;s a lot of opportunities for alternative cinema with our screenings that are for free. Especially in terms of visually presenting our past, I think there is a lot of interest from the general public to see.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The general vibe is that our movies show what we are and where we&#8217;re at, which is still consciously or unconsciously dealing with the effects of war and repression. I understand maybe we are in a moment in time, where we need to let that play out. Before we make something to deal with the future and of Kosovo, or the individuality of people. I&#8217;m not exactly the type who will make a movie speculating about the future and imagining a better alternative reality, I\u2019m still trying to process what is here. But I actually do wish there was someone who would fill in these<\/span><span style=\"font-weight: 400;\"> gaps.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I think it&#8217;s important for all of us to be able to hold the country\u2019s contradictions.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">This article has been edited for length and clarity. The conversation was conducted in English. <\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><em style=\"letter-spacing: -0.1px; font-size: 80%;\"><strong>This publication was produced with the financial support of the European Union. Its contents are the sole responsibility of Kosovo 2.0 and do not necessarily reflect the views of the European Union.<\/strong><\/em><br><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-64fb748 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"64fb748\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3207744\" data-id=\"3207744\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-80b6048 elementor-widget elementor-widget-image\" data-id=\"80b6048\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"1933\" height=\"2177\" src=\"https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1.jpg\" class=\"attachment-full size-full wp-image-107214\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1.jpg 1933w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-266x300.jpg 266w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-909x1024.jpg 909w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-768x865.jpg 768w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-1364x1536.jpg 1364w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-1818x2048.jpg 1818w, https:\/\/archive.kosovotwopointzero.com\/wp-content\/uploads\/2024\/09\/Untitled-1-326x367.jpg 326w\" sizes=\"(max-width: 1933px) 100vw, 1933px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ENG SHQ B\/C\/S \u2018Our emotions are natural, but they&#8217;re also flexible\u2019 What is film\u2019s role in building collective memory? By&#8230;<\/p>\n","protected":false},"author":943,"featured_media":107352,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":[],"categories":[4],"tags":[1735],"_links":{"self":[{"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/posts\/107717"}],"collection":[{"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/users\/943"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/comments?post=107717"}],"version-history":[{"count":14,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/posts\/107717\/revisions"}],"predecessor-version":[{"id":107788,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/posts\/107717\/revisions\/107788"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/media\/107352"}],"wp:attachment":[{"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/media?parent=107717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/categories?post=107717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.kosovotwopointzero.com\/en\/wp-json\/wp\/v2\/tags?post=107717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}